Large scale installations

We Buy Gold, 2013

“The starting point of Efrat Kedem, one of the local champions of readymade, can be imagined as insatiable amazement about the various and sundry objects that are superfluous and fallacious, and fill our world. One day, while “intuitively surfing” Amazon.com,

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We Buy Gold, 2013

“The starting point of Efrat Kedem, one of the local champions of readymade, can be imagined as insatiable amazement about the various and sundry objects that are superfluous and fallacious, and fill our world. One day, while “intuitively surfing” Amazon.com,

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The Reality Show, 2012

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The Reality Show, 2012

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Windows, 2012

“Windows captures the very intimate moment of viewing, the simple act of standing and watching, when you are not sure whether something has just appeared, should appear soon, or whether anything is about to appear at all. This perspective returns

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Windows, 2012

“Windows captures the very intimate moment of viewing, the simple act of standing and watching, when you are not sure whether something has just appeared, should appear soon, or whether anything is about to appear at all. This perspective returns

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So-Long 2011

“During the last winter, which Efrat Kedem spent in Princeton, USA, she photographed several tributes to Richard Long, an artist she admires, and to his work A Line Made by Walking. She walked on the snow in a straight line,

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So-Long 2011

“During the last winter, which Efrat Kedem spent in Princeton, USA, she photographed several tributes to Richard Long, an artist she admires, and to his work A Line Made by Walking. She walked on the snow in a straight line,

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A terrible thing happened to Mrs Raven 2011

A terrible Thing Happened to Mrs. Raven Sight specific floor installation, synthetic grass, mixed media, 2011 Size: 60 sq m This work tries simply, through minor sculptural gestures, to describe the weirdness and mysteries of things that are under the

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A terrible thing happened to Mrs Raven 2011

A terrible Thing Happened to Mrs. Raven Sight specific floor installation, synthetic grass, mixed media, 2011 Size: 60 sq m This work tries simply, through minor sculptural gestures, to describe the weirdness and mysteries of things that are under the

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Beneath giant ficus trees 2009

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Beneath giant ficus trees 2009

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Strict Preservation, 2009

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Strict Preservation, 2009

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Varying Dimensions, 2009

For this site-specific installation, used a wall and a door to close the balcony on the second floor of the Center for Contemporary Art. In this manner, the artist “occupies” the museum space and transforms it into a private sphere

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Varying Dimensions, 2009

For this site-specific installation, used a wall and a door to close the balcony on the second floor of the Center for Contemporary Art. In this manner, the artist “occupies” the museum space and transforms it into a private sphere

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Can you see this raft? I think i need it, 2008

I used my studio space as material. For a year I worked in the studio, which gradually evolved to become a piece that dealt with the space of that room – the studio. The actual piece included materials and objects

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Can you see this raft? I think i need it, 2008

I used my studio space as material. For a year I worked in the studio, which gradually evolved to become a piece that dealt with the space of that room – the studio. The actual piece included materials and objects

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