My work begins with the overlooked traces of time that linger in our everyday surroundings. By gathering, piling, and reshaping found materials, I try to reveal the quiet connections between personal spaces and public environments.

Each fragment I use carries its own story—whether from a room, a memory, or a passing visual impression—and when assembled together, these fragments open up new ways of seeing what is usually left behind.

Often, my works are tied to the specific places where the objects were found. For me, the existing object is not an end in itself but a doorway: a starting point that allows the past and present to meet, inviting others to experience the layered presence of time in the everyday.